Ingo Niermann
Solution 186–195
Dubai Democracy
Magnus af Petersens (Ed.)
Keren Cytter
Jean-Yves Leloup
Digital Magma
Angelika Burtscher, Judith Wielander (Eds.)
visible
“where art leaves its own field and becomes visible as part of something else”
Silberkuppe
Under One Umbrella
BLESS
Retroperspective Home N° 30 – N° 41
Julieta Aranda, Brian Kuan Wood, Anton Vidokle (Eds.)
e-flux journal
What Is Contemporary Art?
Daniel Birnbaum, Isabelle Graw (Eds.)
The Power of Judgment
A Debate on Aesthetic Critique
Auguste Orts
Correspondence
Moyra Davey
Speaker Receiver
Nav Haq, Tirdad Zolghadr (Eds.)
Lapdogs of the Bourgeoisie
Class Hegemony in Contemporary Art
Haegue Yang
Siblings and Twins
Raqs Media Collective
Seepage
Julika Rudelius
Soft Intrusion
Tirdad Zolghadr
Solution 168-185
America
Peter Friedl
Secret Modernity
Selected Writings and Interviews 1981–2009
Peter Friedl
Die heimliche Moderne
Ausgewählte Texte und Interviews 1981–2009
Anselm Franke (Ed.)
Animism (Volume I)
Agnieszka Brzezanska
L’artiste, le modèle et la peinture
Dieter Daniels, Gunther Reisinger (Eds.)
Net Pioneers 1.0
Contextualizing Early Net-Based Art
Isabelle Graw
High Price
Art Between the Market and Celebrity Culture
Joseph Grigely
Exhibition Prosthetics
Bettina Funcke
Pop or Populus
Art Between High and Low
Magnus Ericson, Martin Frostner, Zak Kyes, Sara Teleman, Jonas Williamsson (Eds.)
Iaspis Forum on Design and Critical Practice
The Reader
Friedrich Kunath
Home wasn’t built in a day
The Otolith Group
A Long Time Between Suns
Helke Bayrle
Portikus Under Construction
Dominic Eichler
Written All Over Us
Dexter Sinister
Portable Document Format
Julieta Aranda, Anton Vidokle, Brian Kuan Wood (Eds.)
e-flux journal reader 2009
Céline Condorelli
Support Structures
Sylvère Lotringer (Ed.)
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Diango Hernández
Losing You Tonight
Anton Vidokle
Produce, Distribute, Discuss, Repeat
Nikolaus Hirsch, Wolfgang Lorch, Andrea Wandel (Eds.)
Gleis 17/Track 17
Jean-Luc Blanc
Opera Rock
Dave Hullfish Bailey
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Momus
Solution 11-167
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Sabine Bitter & Helmut Weber
Autogestion, or Henri Lefebvre in New Belgrade
Nikolaus Hirsch, Philipp Misselwitz, Markus Miessen, Matthias Görlich (Eds.)
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Artists, Curators, Architects and the Struggle for Institutional Space
Cecilia Widenheim (Ed.)
Voice Over
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Mike Bouchet
Selected Works 1989-2009
Jörg Heiser (Ed.)
Fare una scenata / Making a Scene
Liam Gillick
How Are You Going to Behave? A Kitchen Cat Speaks/
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Loris Gréaud
Trajectories and Destinations
Volume 1
Sven Lütticken
Idols of the Market
Modern Iconoclasm and the Fundamentalist Spectacle
Ingo Niermann
Solution 1-10
Umbauland
Simon Dybbroe Møller
Kompendium
Nicolas Bourriaud
The Radicant
Klaus Weber
Large Dark Wind Chime (Tritone Westy)
Justine Frank
Roee Rosen
Sweet Sweat
Olaf Holzapfel
Nakano Sakaue
Verhandelte Zeichen
Klaus Weber
Secession
Ian Wallace
A LIterature of Images
Daniel Birnbaum, Anders Olsson
As a Weasel Sucks Eggs
An Essay on Melancholy and Cannibalism
Agnieszka Kurant
Unknown Unknown
Antje Majewski
My Very Gestures
Markus Miessen (Ed.)
East Coast Europe
Diedrich Diederichsen
On (Surplus) Value in Art
Keren Cytter
The seven most exciting hours of Mr. Trier’s life in twenty-four chapters
M/M (Paris)
Live Recorded Delay
An Archive of “Il Tempo del Postino”
Alexis Vaillant (Ed.)
Légende
Maria Lind, Hito Steyerl (Eds.)
The Greenroom
Reconsidering the Documentary and Contemporary Art #1
Daniel Birnbaum, Isabelle Graw (Eds.)
Canvases and Careers Today
Criticism and Its Markets
Ingo Niermann, Jens Thiel (Eds.)
Solution 9
The Great Pyramid
Mariana Castillo Deball
These Ruins You See / Estas ruinas que ves
Jörg Heiser
All of a Sudden
Things that Matter in Contemporary Art
Daniel Birnbaum
The Hospitality of Presence
Joseph Backstein, Daniel Birnbaum, Sven-Olov Wallenstein (Eds.)
Thinking Worlds
The Moscow Conference on Philosophy, Politics, and Art
Daniel Birnbaum, Isabelle Graw (Eds.)
Under Pressure
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Nomeda & Gediminas Urbonas
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Perros Negros, Toasting Agency (Eds.)
Otra de vaqueros
Michael Sailstorfer
Reaktor
Markus Miessen (Ed.)
The Violence of Participation
Julia Moritz, Nicolaus Schafhausen (Eds.)
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Peter Friedl
Working at Copan / Trabalhando no Copan
Nikolaus Hirsch
On Boundaries
Bernadette Corporation
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Ina Blom
On the Style Site
Art, Sociality, and Media Culture
Mariana Castillo Deball, Irene Kopelman (Eds.)
A for Alibi
Daniel Birnbaum
Chronology
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Łukasz Ronduda, Florian Zeyfang (Eds.)
1,2,3… Avant-Gardes
Film/Art between Experiment and Archive
Noah Horowitz, Brian Sholis (Eds.)
The Uncertain States of America Reader
Aleksandra Mir
The Meaning of Flowers
Manuel Raeder
Popurri: Agenda 2007
Tanya Leighton (Ed.)
In The Poem About Love You Don't Write The Word Love
Will Bradley, Mika Hannula, Cristina Ricupero, Superflex (Eds.)
Self-Organisation / counter-economic strategies
Jean-Max Colard, Thomas Lélu (Eds.)
After
Bik Van der Pol
Fly Me To The Moon
Desiree Heiss, Ines Kaag, Manuel Raeder (Eds.)
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Jennifer Higgie
Bedlam
Katja Eydel (Ed.)
Model ve Sembol. The Invention of Turkey
Josephine Meckseper
The Josephine Meckseper Catalogue No. 2
Tue Greenfort
Photosynthesis
Hans Ulrich Obrist
...dontstopdontstopdontstopdontstop
Michael Beutler
Pecafil
Christopher Williams
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Daniel Birnbaum
Chronology
Rirkrit Tiravanija, PLAN.b Publishing
oVER
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Antje Majewski, Ingo Niermann (Eds.)
Skarbek
Keren Cytter
The Man Who Climbed Up the Stairs of Life and Found Out They Were Cinema Seats
Anke Kempkes, Kunsthalle Basel (Ed.)
Flesh at War with Enigma
Melik Ohanian
Cosmograms
Diango Hernández
revantgarde
Nicolas Bourriaud
Postproduction
Alex Morrison
Giving the Story a Treatment
Cristina Ricupero, Lars Bang Larsen, Nicolaus Schafhausen (Eds.)
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Jacob Fabricius (Ed.)
The Danish Pavilion – 51st Venice Biennale
M/M (Paris)
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Josephine Meckseper
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“Cerith Wyn Evans”
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Terminal 5
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Markus Schinwald
Antje Majewski, Ingo Niermann (Eds.)
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Peter Friedl
Four or Five Roses
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Bernhard Willhelm
Gerard Byrne
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Adorno
The Possibility of the Impossible (Vol. II)
Thomas Eggerer
Atrium
Michaela Melián
Triangel
Jean-Charles Massera
Sex, Art, and the Dow Jones
John Kelsey, Aleksandra Mir (Eds.)
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Sture Johannesson
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Marcel Odenbach
Blenden/Blinds
Julia Scher
Always There
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Changing Society: Lithuania
Kai Althoff
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Nicolaus Schafhausen (Ed.)
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Anthony Vidler
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Nicolaus Schafhausen (Ed.)
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Karl-Heinz Kohl, Nicolaus Schafhausen (Eds.)
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Harun Farocki
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Isa Genzken
Urlaub
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Tom Burr
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Eva Grubinger
group.sex

 
Mariana Castillo Deball, Irene Kopelman (Eds.)A for Alibi

Texts by Charlotte Bigg, Erna Fiorentini, Mika Hannula, Raimundas Malasauskas, Katrin Solhdju
Contributions by the participating artists Maria Barnas, James Beckett, Mariana Castillo Deball, Sebastian Diaz Morales, Suchan Kinoshita, Irene Kopelman, Tine Melzer, and Brian O’Connell
Interview with Tiemen Cocquyt

How does science transform observations into scientific facts?
What is the role of interpretation in the construction of knowledge?
How could art re-signify a historical process?

Such are some of the questions raised in A for Alibi, a book which explores the boundaries of scientific practice and art. In the last few decades, a new branch of historical studies, called “experimental history” has begun to investigate scientific processes from a particular perspective, derived from a “hands-on” methodology. Scientific instruments are utilized and combined to become a direct source that leads to an understanding not just of scientific history but also of scientific practice. Similar to contemporary art practice, the experimental historical approach implies a combination of theory, practice and process, sharing a wider understanding of practice in the construction of meanings.

Along these lines, the Uqbar Foundation invited a group of artists to perform research and develop projects using the impressive collection of historical instruments and optical devices housed in the Utrecht University Museum. Fully illustrated, this book documents the artists’ projects as well as the A for Alibi symposium where renowned scientists and art historians lectured on the origins of modern visual culture, for instance on the relation between vision and representation in history, or on the ways in which science builds up a common and social image of the world. The book also features illustrations of numerous scientific instruments from the Utrecht University Museum collection. A for Alibi accompanies the same-titled show at de Appel, Amsterdam, July 14 – August 19, 2007.

Concept: Uqbar Foundation
Design: Manuel Raeder, Mariana Castillo Deball
Published by Sternberg Press


July 2007, English
16 x 24 cm, 239 pages, 100 b/w ill., softcover with dustjacket
ISBN 978-1-933128-33-7
$29.95 | €27.00